Talk about breaking Asian American stereotypes in cinema! Justin Chon, writer, director and main actor of “Gook” brings to you the movie that many of us Asian Americans have been waiting for. He does what I’ve always wanted to do as an artist; he screams “Hey, your life is shitty, but so is mine. Quit pretending that I don’t exist.”
Of all the horror genres, I’ve always liked the zombies the best. The prequel to this film, 28 Days Later, directed by British filmmaker Danny Boyle three years prior, was such a big box office hit, that (of course!) Fox queued up its sequel soon after. But when writers and directors change hands, you get very different movies, almost unrecognizable from each other.
The telling of such a story comes at an apt time. Too long have trans experiences been marginalized and branded as too risqué or too perverse for mainstream consumption. There are powerful activists reigning the stage to raise awareness today, from Laverne Cox, a well-known cast member of Orange is the New Black to model Geena Rocero (watch her wonderful TED talk!), Hollywood has finally made the decision tell one of the many stories the community has to tell through its mainstream avenues.
Braveheart is one of those films that stays deeply etched in the memory of moviegoers. The 90s churned out some fantastic cinema when technology upped its game and seamlessly married stunt choreography with dramatic storytelling. Mel Gibson directed a rare gem. His movie became one of those films that one had to watch and re-watch.